Inspiration from Jane Yolen:
Three writing rules I live by.
- Write something every day. (BIC).
- Revision is your best friend.
- A manuscript in the drawer or on the laptop that isn't sent out cannot be bought.
And two rules that even well known writers stumble over:
- the editor is your colleague, not your enemy.
- And a rejection is not the end of a dream.
- Rowling had over 30 rejections and when finally published it was in a very small edition by Bloomsbury in the UK.
L'engle's A WRINKLE IN TIME had 29 rejections.
Suess's first book book well over 30 rejections. As I understand it, he was ready to self-publish it. (enter editor, Bennett Cerf.)
Sunday, June 10, 2018
Thursday, June 7, 2018
Writer's Quotes - Saul Bellow
“I discovered that rejections are not altogether a bad thing.
They teach a writer to rely on his own judgment and to say in his heart of hearts, ‘To hell with you.’“ – Saul Bellow.
They teach a writer to rely on his own judgment and to say in his heart of hearts, ‘To hell with you.’“ – Saul Bellow.
Labels:
rejections,
Saul Bellow,
writer's quotes,
writing life
Tuesday, June 5, 2018
I Voted
I Voted -- Did you?
This was the first election that my teen voted in - the primary election in California.
Most of us mail in our ballots or take them to a nearby library to place in the portable ballot box.
The poll watchers made a nice fuss over my teen when she deposited her own ballot.
California puts the top two primary winners on the fall ballot, which means it might be a Democrat running against a Republican - or - it could even be two Democrats dukeing it out.
In 2016, we had two Democrats who won the Senate race which meant that California ended up with no Republican representatives in the US Senate in Congress.
Tuesday, May 29, 2018
Writer's Quotes - Richard Peck
The award winning author, Richard Peck, died last week.
He said, in a speech to the Library of Congress Book Festival in 2013:
"I'm a writer because I never had a teacher who said, "Write what you know."
If I'd been limited to writing what I know, I would have produced ONE unpublishable haiku."
He added:
"Beatrix Potter never was a rabbit.
J.K. Rowling did not attend Hogwarts School."
He said, in a speech to the Library of Congress Book Festival in 2013:
"I'm a writer because I never had a teacher who said, "Write what you know."
If I'd been limited to writing what I know, I would have produced ONE unpublishable haiku."
He added:
"Beatrix Potter never was a rabbit.
J.K. Rowling did not attend Hogwarts School."
Saturday, May 19, 2018
Thoughts from a Southern Lady
One third of the writers who wrote with me under the pen name of C. W. Bowie was Claudine Wirths.
(If she were alive today she'd be in her 90s if not reaching 100 years old, so you know she remembered how things were from a long, long time ago,)
When I was writing the biography of Marian Wright Edelman, I pondered about word use. Because of what Claudine told me, I opted to use the terms for people of color being used in each time period - her youth, her young married life, and 'modern times' (the 1990s).
This is what Claudine told me were the 'proper' ways, at least in the south where she grew up:
"I went from Colored people
to Darkies
to Nigra
to KneeGrow (Southerners had to mentally write it that way in their heads to say it right)
to Black
to African American
to People of Color -- which was circling back to where I started -- almost!
Sigh, I try to be PC, but am despairing"
Claudine G. Wirths
Well
Did my editor appreciate how careful I had been to use the correct terms for each time period?
Nope.
He insisted that everything be African American, even though Marian Wright Edelman preferred to use the term -- People of Color.
(If she were alive today she'd be in her 90s if not reaching 100 years old, so you know she remembered how things were from a long, long time ago,)
When I was writing the biography of Marian Wright Edelman, I pondered about word use. Because of what Claudine told me, I opted to use the terms for people of color being used in each time period - her youth, her young married life, and 'modern times' (the 1990s).
This is what Claudine told me were the 'proper' ways, at least in the south where she grew up:
"I went from Colored people
to Darkies
to Nigra
to KneeGrow (Southerners had to mentally write it that way in their heads to say it right)
to Black
to African American
to People of Color -- which was circling back to where I started -- almost!
Sigh, I try to be PC, but am despairing"
Claudine G. Wirths
Well
Did my editor appreciate how careful I had been to use the correct terms for each time period?
Nope.
He insisted that everything be African American, even though Marian Wright Edelman preferred to use the term -- People of Color.
Wednesday, May 16, 2018
It's time to talk about rejections
The publishing world has changed from the days when writers would type up their manuscripts, slip them into large manila envelopes, complete with a SASE (self-addressed stamped envelope) for the response from the editor or agent, and mail it to the agency or publisher of your choice.
Now everything is done electronically and some writers flood multiple editors with copies of the same manuscript and they felt so overwhelmed that they decided to close, to not accept submissions anymore, except maybe from agents. And the few who accepted submissions decided that, if you have't heard back in X amount of time, it's a rejection. (leaving the writer to wonder if they even received it)
Even multi-published authors have been trapped by this closed door policy.
Laura Backes, editor and publisher of the Children's Book Insider newsletter and now involved with WritingBlueprints.com, has written a letter to editors and agents discussing this problem.
An Open Letter to Editors & Agents, It's Time to talk about Rejections.
Click on the link. It's good.
Now everything is done electronically and some writers flood multiple editors with copies of the same manuscript and they felt so overwhelmed that they decided to close, to not accept submissions anymore, except maybe from agents. And the few who accepted submissions decided that, if you have't heard back in X amount of time, it's a rejection. (leaving the writer to wonder if they even received it)
Even multi-published authors have been trapped by this closed door policy.
Laura Backes, editor and publisher of the Children's Book Insider newsletter and now involved with WritingBlueprints.com, has written a letter to editors and agents discussing this problem.
An Open Letter to Editors & Agents, It's Time to talk about Rejections.
Click on the link. It's good.
Thursday, May 10, 2018
Good Rejections
Wow. My fastest rejection ever.
Yesterday, with high hopes, I sent (emailed) a manuscript to an agent who had come several times to talk with our local SCBWI group. This morning I woke up to a rejection.
Fastest. Time. Ever.
The nicest thing about it was that she actually responded instead of simply deleting my email and leaving me hanging. I appreciate that.
Last week I got another good rejection.
What was it?
It was a hand written letter from an editor.
We writers appreciate people in the business who go that extra step to Let Us Know what's happening.
Yesterday, with high hopes, I sent (emailed) a manuscript to an agent who had come several times to talk with our local SCBWI group. This morning I woke up to a rejection.
Fastest. Time. Ever.
The nicest thing about it was that she actually responded instead of simply deleting my email and leaving me hanging. I appreciate that.
Last week I got another good rejection.
What was it?
It was a hand written letter from an editor.
We writers appreciate people in the business who go that extra step to Let Us Know what's happening.
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