A Publishing Industry Glossary

Just for fun,  Posted by: Rick Walton  

   Date: Sat Jun 18, 2011 

Whenever I spend a great deal of time involved in something, my mind starts rebelling, and twisting it out of shape and it spit out the following:

A Publishing Industry Glossary

Author--the costume a writer puts on when he goes to a cocktail party.

Auction--a contest where two or more editors race to see who can show the most irrational exuberance.

Advance--the best proof that your project is moving forward.

ARC-- a vessel you send out into the ocean of reviewers, hoping it floats instead of sinks.

Backlist--books still in print, but which the publisher hides behind his back so they are hard to see.

Book--a rectangular device for immortalizing the person whose name is inscribed on it. Not to be confused with "headstone".

Contract--a document which, if held to the same standards as its subject, would require serious editing.

Cover letter--a letter designed to cover the weaknesses in your manuscript.

Critique--hopefully advice to help you turn your pony into a racehorse, but too often the suggestion that you turn your pony into an alligator.

Designer--a person who proves that people do indeed judge a book by its cover.

Dialogue--what people might say in real life if it were edited for clarity, conciseness, and for necessity to the plot. In other words, nothing at all like what people say in real life.

Draft--a manuscript with still enough holes in it to let the wind blow through.

E-book--E stands for everyone, as in everyone now will think they can write a book.

Editor--a young woman with just slightly more power than God. 

Editorial Board--a plank that your book is forced to walk by the captain of the publishing ship. Sometimes the book is allowed to come back and join the crew. But most of the time the book is pushed into the ocean.

Endpapers--a great place to write notes when you're out of notepaper, which is why they should be plain white.

Fiction--what a writer tells himself to make him believe he can write something people will pay money for.

Graphic novel--a comic book that went to college.

Hardcover--the best kind of book to use as a murder weapon.

Imprint--one of the personalities exhibited in a publisher's multiple personality disorder.

ISBN--Intercontinental Satellite-Based Nuke. What an author wishes they had access to when they get a bad review.

Jacket--an outer covering designed to make a cool book hot.

Line editing--editing that does not require you to wrap your mind around the whole plot, as substantive editing does, but which allows you to work while standing in the grocery store line, the bank line, the DMV line,...

Mass-market--a type of book that most of the time the masses, with great enthusiasm, ignore.

Option clause--a contract clause that gives you the option to either say, "No thank you, take it out." Or, "Are you out of your mind? Take it out!"

Print on demand--polite people say "print on request".

Publication date--a blind date set up between your book and the reader. You hope for a long-term relationship, but too often it results in your book being stood up.

Publisher--a company that is looking for something new and fresh as long as it has been done before.

Quill--if it was good enough for Shakespeare, it is good enough for you.

Reader--a very smart person who likes your book, or one who is not so smart who doesn't.

Rejection--a necessary evil, unless it involves my manuscript, then it is a totally unnecessary wrong.

Remainder--also known as "reminder". A step in the publishing process designed to remind you that you aren't as hot as you were starting to think you are.

Royalty--a British term for when publishers send the author lots of small pieces of paper with pictures of royalty on them in exchange for publishing their books. American publishers kept the term, in spite of the fact that our small pieces of paper do not have pictures of royalty on them, because they are afraid that if it was called "president", we would hear it as "precedent" and start expecting them to send us those little pieces of paper more often.

Typewriter--the best writing device ever to use as a murder weapon.

Unsolicited submission--a twisted form of attempted adoption where you give your dear child away to someone who doesn't want it.

Vanity press--a variation of "van o' depressed". So-called because you end up depressed with a van full of books.

Young adult--the average age of editors today.

A writer's alphabet, by Rick Walton

Rick Walton is a multi-published writer of humorous books - mostly picture books.  Some time ago, before he died, he sent me this alphabet he had created about the publishing world.
copywrite - Rick Walton
                        ===========================

Whenever I spend a great deal of time involved in something, my mind starts rebelling, and twisting it out of shape. I just spent a week at a writing workshop, a very good one, but it was enough to twist my mind, which spit out the following:


A Publishing Industry Glossary

Author--the costume a writer puts on when he goes to a cocktail party.

Auction--a contest where two or more editors race to see who can show the most irrational exuberance.

Advance--the best proof that your project is moving forward.

ARC-- a vessel you send out into the ocean of reviewers, hoping it floats instead of sinks.

Backlist--books still in print, but which the publisher hides behind his back so they are hard to see.

Book--a rectangular device for immortalizing the person whose name is inscribed on it. Not to be confused with "headstone".

Contract--a document which, if held to the same standards as its subject, would require serious editing.

Cover letter--a letter designed to cover the weaknesses in your manuscript.

Critique--hopefully advice to help you turn your pony into a racehorse, but too often the suggestion that you turn your pony into an alligator.

Designer--a person who proves that people do indeed judge a book by its cover.

Dialogue--what people might say in real life if it were edited for clarity, conciseness, and for necessity to the plot. In other words, nothing at all like what people say in real life.

Draft--a manuscript with still enough holes in it to let the wind blow through.

E-book--E stands for everyone, as in everyone now will think they can write a book.

Editor--a young woman with just slightly more power than God.

Editorial Board--a plank that your book is forced to walk by the captain of the publishing ship. Sometimes the book is allowed to come back and join the crew. But most of the time the book is pushed into the ocean.

Endpapers--a great place to write notes when you're out of notepaper, which is why they should be plain white.

Fiction--what a writer tells himself to make him believe he can write something people will pay money for.

Graphic novel--a comic book that went to college.

Hardcover--the best kind of book to use as a murder weapon.

Imprint--one of the personalities exhibited in a publisher's multiple personality disorder.

ISBN--Intercontinental Satellite-Based Nuke. What an author wishes they had access to when they get a bad review.

Jacket--an outer covering designed to make a cool book hot.

Line editing--editing that does not require you to wrap your mind around the whole plot, as substantive editing does, but which allows you to work while standing in the grocery store line, the bank line, the DMV line,...

Mass-market--a type of book that most of the time the masses, with great enthusiasm, ignore.

Option clause--a contract clause that gives you the option to either say, "No thank you, take it out." Or, "Are you out of your mind? Take it out!"

Print on demand--polite people say "print on request".

Publication date--a blind date set up between your book and the reader. You hope for a long-term relationship, but too often it results in your book being stood up.

Publisher--a company that is looking for something new and fresh as long as it has been done before.

Quill--if it was good enough for Shakespeare, it is good enough for you.

Reader--a very smart person who likes your book, or one who is not so smart who doesn't.

Rejection--a necessary evil, unless it involves my manuscript, then it is a totally unnecessary wrong.

Remainder--also known as "reminder". A step in the publishing process designed to remind you that you aren't as hot as you were starting to think you are.

Royalty--a British term for when publishers send the author lots of small pieces of paper with pictures of royalty on them in exchange for publishing their books. American publishers kept the term, in spite of the fact that our small pieces of paper do not have pictures of royalty on them, because they are afraid that if it was called "president", we would hear it as "precedent" and start expecting them to send us those little pieces of paper more often.

Typewriter--the best writing device ever to use as a murder weapon.

Unsolicited submission--a twisted form of attempted adoption where you give your dear child away to someone who doesn't want it.

Vanity press--a variation of "van o' depressed". So-called because you end up depressed with a van full of books.

Young adult--the average age of editors today.
copywrite - Rick Walton

Why Picture Books are Important

Why Picture Books Are Important,

And Why They Are for Everyone

(A guest post by picture book author and all around great guy,  Rick Walton )

Picture books are often seen as literary baby food, the stuff we feed children until they have the teeth to eat real food.

I would argue, however, that picture books are not baby food. They are not just for young children.

In fact, I would argue that picture books are perhaps the most important literary format that we have.

Here are 10 reasons why I believe this:

1. They are the first books that children fall in love with, that turn children into lifetime readers. Lifetime readers become lifetime learners. Lifetime learners become lifetime contributors.

2. Picture book language is often more sophisticated than the first chapter books that children read, and therefore an excellent way for children to learn language. It is here that children, and others, can learn vocabulary, imagery, rhythm, shape, structure, conciseness, emotional power.

3. The picture book is the most flexible of all literary formats. You can do almost anything in a picture book. This flexibility encourages creativity, in both writer and reader. It broadens the mind, and the imagination. And given today's challenges, we desperately need more creativity, broadened minds. Imagination.

4. The picture book, with its interaction between text and illustration , with its appeal that the reader analyze that interaction, helps develop visual intelligence. It helps us look for meaning in the visual. And since most of us are surrounded by, and inundated by visual images our whole lives, visual intelligence is an important skill.

5. Some of the best art being created today is found in picture books. Picture books are a great resource for art education.

6. The picture book appeals to more learning styles than any other format. It is read out loud for audible learners. It is written and illustrated for visual learners. It often asks you to interact with it physically for kinesthetic learners.

7. In fact, the picture book, of all formats, is probably the best format for teaching an idea, getting across a point. Because picture books are short, all messages, knowledge, ideas expressed in a picture book must be boiled down to their essence. They must be presented in a way that is impossible to misunderstand. If you want to learn a difficult subject, start with a picture book. If you want to express a powerful message, a picture book is one of the most powerful media for doing so. Many middle, upper grade, and even college instructors have recognized the value of using picture books in their teaching.

8. The picture book does more than any other literary format for bonding people one with another. As a child sits on a lap and is read to, as a parent, a grand parent, a teacher, a librarian reads to a child, extremely important connections are made, bonds are formed, generations are brought together.

9. The picture book also has the broadest possible age range of audience. Few four-year-olds will appreciate a novel. But many grandparents enjoy a good picture book. I have read picture books for upwards of an hour to groups including toddlers, teens, parents and grandparents, where all were engaged.

10. The picture book is short, and can fit easily into the nooks and crannies of our lives. Five minutes here, 10 minutes there, plenty of time for a complete literary experience.

Picture books are poetry, adventure, imagination, language, interaction, precision, and so much more.

Picture books are not books that children should be encouraged to "graduate" from.

For picture books have something important to say, to give, to all ages, all generations.

Picture books are not just books for young children.

They are books for everybody.

Why Reading Aloud to Kids encourages the love of Reading

You might be interested in a new blog being set up by author, Rick Walton, called Why Read Aloud.

He decided that one of the easiest way to collect stories about how being read to by your teacher affected you, or about how you reading to students has made an impact on them was to set up a blog and to let people write these stories in the comment section.
Do you have a story to tell? Just click on the link above.

Keeping in mind that you are giving permission for someone to eventually take the stories and create an e-book of them.
or
you could simply point people to the blog, if they needed data about how effective this type of teaching is.
Who knows, we might help change the education system back to a system that encourages people to enjoy reading.
What's your story?

-wendie old, writer, librarian, grandmother (another one coming soon. This week, maybe)
http://wendieold.blogspot.com