MEERKATs --Nonfiction Monday, now on Tuesday

MEET THE MEERKAT, by Darrin Lunde, illustrated by Patricia J. Wynne, Charlesbridge, 2007, available now.

I had a Summer Reading Program assistant one year at my library who loved Meerkats. (Before I met her, I had no idea what a Meerkat was.) During that same summer my granddaughter and I attended a stage production of THE LION KING, which featured -- a cute, though large, meerkat. (Naturally, my summer thank-you gift to her was a stuffed meerkat from the show.)

If you were intrigued by Simba's friend, Timon the Meerkat, and you are a first or second grader, you will love finding out more about this African animal by reading this book.

For example, when asked by the narrator, "what do you look like?" the meerkat pictured says, "I am long and thin. I have a pointy face. I am the size of a squirrel." Who knew? The meerkat on stage with the Lion King cast is the size of a large boy or small man.

The text drew me in with this question and answer format -- telling me exactly what I wanted to know about this animal. The large pictures are inviting. The large typeface encourages young readers. And the information is just enough for a beginning reader's report on this animal.

The author's afterward is not aimed at adults. It is still aimed at the young reader, giving them a little bit more information.

Both the author and the illustrator, a husband and wife team, work for the American Museum of Natural History in New York City.

For more Nonfiction Monday blog posts, click on the link in the previous message.
-wendieO

Nonfiction Monday

Nonfiction Monday will show up on Tuesday, due to the fact that I forgot to bring my nonfiction book home from the library.

Meanwhile, links to the other Nonfiction Monday blogs are all gathered here.
-wendieO

I've been interviewed!

I just got this message:
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Hi Wendie,
Happy Mother's Day. I have posted your book review and our interview.
Children’s Authors Discuss SIDS and Kids Books

I am excited to welcome acclaimed children’s author Wendie C. Old this week to talk about her book on a family’s experience with Sudden Infant Death Syndrome (SIDS) titled, STACY HAD A LITTLE SISTER.

Blessings to you,
Jewel Sample at Jewel's Sand Box News
===================

It's really gratifying when someone asks you to talk about one of the first books you got published.
-wendieO

Happy Mother's Day!

What a Mother's Day!

The 8-year old had made a beautiful bracelet that matched a necklace I owned already.
(This year's bracelet fits. I love it. Last year's bracelet was so large it falls off my hand.)

The 30 year old actually sent a Mother's Day card. (It's a record -- it's her first.)
The 35-year old had a safe trip home from France and remembered to send me a Happy Mother's Day e-mail while she was held over in Dover, having missed her connection to the San Diego Flight. (That'll happen when you make your reservations and the various flights forget about daylight savings time.)

The reason the 35-year old had to e-mail me?
Because the 8-year old was having her piano recital during the time she had her plane layover and she knew that I'd have my phone turned off.

The piano recital was lovely. What a relief that the 8-year old played her piano pieces straight -- without the additional frills she wanted to do. We've promised her that she can noodle around on the piano all she wants, now that the recital is over.

We won't talk about the pouring rain and the flood watch.
Nor the flow of fire engines (even one from Pennsylvania) that screamed their way past the recital hall, on their way to evacuate a smoke-filled nine-story building full of elderly people who had to be helped down the stairs and taken elsewhere overnight.

How was your Mother's Day?
-wendieO

Laura Bridgman -- Nonfiction Monday

She Touched the World, Laura Bridgman, Deaf-Blind Pioneer. Written by co-authors, Sally Hobart Alexander and Robert Alexander. Clarion Books, 2008.

This book couldn't have been better timed. I had hung on to the last copy of the previous Lara Bridgman biography long after it should have been withdrawn, simply because there was no other title to replace it. Last month I finally gave in and withdrew Child of the Silent Night. I hated to do it, but it was time.

Imagine my astonishment, surprise, joy when this book appeared in the bag of new books delivered to my library branch. Hurrah! Some brave soul has also realized that we needed a new biography of the very FIRST deaf/blind child to learn to communicate.

Why should we care? Laura Bridgman was the most famous child in the English-speaking world in the 1840s. As an adult, she taught Anne Sullivan -- who then taught Helen Keller, who became the most famous deaf/blind person in the 20th century. (Although, this book points out that since Laura was not a full teacher at the school for the blind, she may have simply taught fingerspelling to Anne simply so that she could have another person to talk to.)

This biography clearly explains how scarlet fever robbed Laura of almost all of her senses except for touch. What a lonely and empty world she found herself. By the time she learned to fingerspell, she was full of questions and became a demanding chatterbox. She bubbled with energy and loved jokes.

The author is herself a deaf/blind writer, but her life in the 21st century is easier than Laura's. The book's last chapter points out the new laws, improvements in medicine and changes in attitude toward the disabled. She and her husband co-wrote this book.

I'm very glad to see this new Laura Bridgman biography. Available now.
To read more Nonfiction Monday blogs, click here.
-wendieO

Report from my writing life

This week was mostly a writing week.

Mailed off four manuscripts to publishers. Well, actually one manuscript to two publishers on Monday and another manuscript to two more publishers on Friday. All nonfiction Children's books. I feel very accomplished.

I joined three other authors on a panel discussion at Harford Community College. It was fascinating to learn how the others worked and thought. One professor of literature who wrote poetry. One who wrote biography. One home security expert who also has a novel in the works. And me -- the children's book writer.

But writing is writing and our creation processes were similar.

The audience consisted of writers and readers and all had great questions.

At work I felt accomplished, too. I spent every penny of my book replacement budget, had fun doing a storytime about princesses (and planned for a hermit crab program for Saturday), and joy of joys -- unpacked boxes of Summer Reading Program supplies. It's just like opening Christmas presents when the decorations and supplies for Summer Reading arrive. Are you ready for libraries full of bugs this summer? (I'm emphasising butterflies at my library.)

After doing two talks about writing this month, I'm all primed to offer writing advice. Please do drop a note in the comments section with your writing question and I'll try to answer it in the blog.

-wendieO

Real publishers pay you

it's happened again.
I'm with a group of writers and one of them proudly states -- "My book has been accepted by PublishAmerica!"

All I can do is cringe. Again and again that publisher's name comes up among beginning writers. Oh,(they say), it's so difficult to get published by the main publishers, but PublishAmerica accepted me. Well, honey -- they accept most everything sent to them. (Even tho they say they don't.) I think I heard that they even accepted a manuscript for a novel that a group of writers wrote using all the worst examples of writing they knew.

Is it so difficult to research bad publishers?
Okay, here's Writer Beware’s "Two Thumbs Down" Publishers List. And one specifically about Publish America's tactics here. Once you've read that information, do go to the Writer's Beware webpage (a link to it is on that blog) and read why.
(Scroll down to the link on that page that will zip you to The Great PublishAmerica Hoax)

I've kinda given up trying to explain to writers why publishing with a bad publisher is worse than not getting published at all. Writers using these publishers just don't want to hear it.

Besides the fact that Money should Flow TO the writer -- writers should NOT pay anything to the publisher -- these bad publishers also do not fulfill the promises they make. Some of them get sued by writers who have discovered what normal publishers actually do.

If you are just writing a book so that you can say that you have a "published" book, and you don't care if anyone buys it and reads it, and you don't care if you find that you have lost money on the deal, then I guess it doesn't matter who prints your book. (Don't ask me about the person who spent $20,000 to get her picture book published. I don't think she'll ever earn her money back on that.)

Most professional writers treat writing as a business. Writers have a product -- their writing. They tell a good story or present nonfiction in an interesting way. Publishers pay them for the right to publish and distribute their product. Writers get an advance when the book is accepted and royalties as long as it is in print. Writers work with the editor to make it the very best book possible. They work with the marketing department to promote the book.

Many writers earn a living at this. Money flows to the writer. Many others use this as a second job, keeping their day job.

-WendieO